salomemacquet.com

What It Is

Salomé Macquet is an independent graphic designer, speculative designer, and artist born in 1993. She lives and works in Brussels, Belgium. Her work spans visual identity, books, posters, websites, and type design, while also connecting questions of “time” in astrophysics and quantum physics with political and social-science issues through design, fiction, and performance.

Core Strengths

Judging from the main text, her practice is not simply commercial visual outsourcing, but has a clear research-driven and artistic orientation. The clients or audiences she has worked with include cultural institutions, publishers, science companies, architecture studios, and non-profit organizations. Her approach emphasizes the use of code, the materiality of print, and typography, giving her work a recognizable character in publications, cultural exhibition visuals, experimental websites, and type-related projects. She is also a member of Art faber international collective and co-hosts the Opus Art faber / Actes Sud book series, indicating a certain level of experience and network within publishing and cultural circles.

Pricing and Copyright

The captured text does not disclose any pricing, billing model, contract terms, copyright ownership, or licensing scope. It is therefore not possible to determine whether she charges by project, by day, or works through artistic commissions. For commercial clients, key points to confirm before starting a project include copyright and usage rights for fonts, websites, visual systems, and final publication deliverables, as well as usage territories, duration, and the scope of source-file delivery.

Pros and Cons

Her strengths lie in a clearly interdisciplinary background. She has studied at the École nationale supérieure des Arts Décoratifs in Paris and has exhibition and award credentials, including a 2025 solo exhibition in Charleroi, Belgium, and a 2021 award related to Ateliers Médicis and the French Ministry of Culture. Her work is able to combine science, social issues, and visual language, making it suitable for cultural projects with substantial conceptual depth. The downside is that the website copy is more résumé-like, with limited detailed case studies, service process information, budget ranges, collaboration methods, or delivery specifications. If a client needs a standardized brand design team capable of rapid scaling, the available information is not enough to assess her production capacity.

Best Fit and Access from China

She is best suited to cultural institutions, publishers, art spaces, science communication projects, architecture practices, and non-profit organizations, especially projects that require conceptual research, typography, and a strong sense of print materiality. The main text does not provide information on access from China, so it is not possible to determine whether the site can be reached directly. Actual access testing is recommended.