petrick.co

What It Is

Petrick is an award-winning animation studio founded in 2016, describing itself as a “collaborative hub of true enthusiasts.” It creates original animated content for brands and commercial clients, with core areas including 2D/3D animation, commercials, music videos, game trailers, short films, mascots and character design, as well as social impact projects. The official website features work for brands and organizations such as Tinkoff Bank, Rovio, My.Games, WWF, Yandex Music, Tretyakov Gallery, and HeadHunter, along with several awards and campaign performance metrics.

Core Capabilities

Based on the site content, Petrick’s strengths lie in character-driven animated storytelling and visually diverse execution. Its listed services include Commercial, Music video, Mascot, Social Impact, 2D, 3D, Mixed media, Pixel art, Puppetry, Design, Animation, Script, Sound, Game trailer, and Short film. The team structure also appears well-rounded: the founder oversees creative and business direction, producers handle client communication, budgets, and schedules, while the art team includes directors, art directors, character designers, 3D generalists, 2D animators, lead animators, and more. Its collaboration model is not simple outsourcing matchmaking; instead, a core team manages the project direction and works with a network of artists to complete production.

Pricing and Rights

The official site does not disclose pricing, packages, payment methods, production timelines, or details on copyright ownership, licensing scope, source file delivery, or commercial usage terms. As a result, Petrick appears closer to a custom project-based quoting model, suitable for moving forward through briefs, meetings, and cost estimates rather than a standardized online ordering service.

Pros and Cons

Its advantages are its wide range of project types: it can handle commercials, music videos, game promotion, and public-interest campaigns. It also covers 2D, 3D, pixel art, puppetry, and mixed media, making it suitable for clients that need a distinctive visual style. Some case studies also disclose results, such as a 15% increase in annual museum visitors, a 30% increase in brand awareness, million-level YouTube views, and social audience growth, suggesting that the studio cares not only about visuals but also communication impact. The downside is the lack of transparency around key information: budget thresholds, delivery formats, copyright terms, revision rounds, and cross-time-zone service are not explained. It is not a good fit for teams that need fast, low-cost, self-service creative asset generation.

Who It’s For

Petrick is better suited to brands, advertising agencies, game companies, musicians, cultural institutions, and nonprofits, especially for projects requiring original characters, highly stylized animation, game trailers, or branded short films. If you only need template-based social media motion graphics, low-budget video editing, or large-scale batch asset production, it may be too customized.

Access in China

The content does not provide information about access from China, Chinese-language support, or local payment options. Actual availability cannot be determined, so it is marked as unknown.