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Frame One is a remote video editing platform for film and TV post-production. Its core value is not general-purpose cloud storage or meeting-style collaboration, but the centralized deployment of editing workstations, shared storage, and project environments in secure data centers, allowing distributed teams to use Avid Media Composer, Adobe Premiere, or DaVinci Resolve for professional editing over the internet. Its customer examples cover large documentaries, drama series, and streaming projects, with scenarios mentioning 1PB of source media, 3 million Avid media files, and remote teams of more than 50 people.
The platform emphasizes dedicated bare-metal workstations: each user can get 28 processing cores, 128GB RAM, a dedicated Nvidia GPU, RAID 1 internal storage, and dual 10Gb connections, with remote access via Teradici. Compared with virtual machine-based setups, the selling point of bare metal is exclusive resources and more consistent performance. For shared storage, Frame One provides a high-performance storage cluster with 400Gb/s aggregate throughput, aimed at multi-stream media playback and large-scale media collaboration. Collaboration features include shared projects, Avid bin locking, a unified software environment, version-control-style workflows, and support for up to four monitors. Each project also includes a Media Shuttle portal for sharing and requesting media files.
Pricing is very clear: remote workstations cost $299/week, and 25TB of shared storage costs $299/week. It uses fixed weekly fees and can scale up or down with the size of a production. All rentals include 24x7 access, unlimited data ingress and egress, 5TB of Media Shuttle local storage, NVMe project file storage, one-on-one onboarding, plus Help Desk, email, and phone support. No information was found about a free plan, free trial, or payment methods.
On security, the available materials disclose private dedicated hardware, high-security data centers, encryption at rest, automatic snapshots, custom internet access policies, and ransomware/malware protection based on heuristic analysis and machine learning, but do not mention compliance certifications such as SOC 2. The strengths are powerful performance, predictable pricing, support for mainstream editing software, and relatively complete service support. The drawbacks are that the data centers mentioned are only in Los Angeles, New York, and London, so teams in China or Asia-Pacific may face latency; information about APIs, granular permissions, and compliance certifications is also limited. It is best suited to film and TV production teams with clear budgets, large volumes of media, and high requirements for remote post-production performance and security. It is less suitable for lightweight individual creators.
Access from mainland China is not disclosed in the available materials, so it should be considered unknown. Given that its data centers are not in Asia, real-world performance may be affected by cross-border network conditions. Alternatives worth evaluating include LucidLink, Avid Edit On Demand, Adobe Team Projects, Blackmagic Cloud, Frame.io, or customized domestic solutions combining cloud desktops/object storage with post-production workflows.
⚠ This review is compiled from public sources and does not constitute a purchase recommendation. Verify all facts on the vendor's official site. Verify on frameone.com official site.
frameone.com is an United States Remote Desktop provider. TG4G tracks its product information, an overall rating of 8.0/10, and a China-accessibility score of Workable. Click "Visit Official Site" to reach frameone.com directly.