contentplace.co

What it is

Untold Stories by contentplace is a vertical content marketplace for film and TV creators and professional buyers. It is not a traditional e-commerce platform for physical goods; instead, it helps film, television, and long-form video projects—from ideas, scripts, and works in development to finished productions—get discovered by distributors, broadcasters, brands, streaming services, investors, and others, enabling feedback, financing, representation, distribution, or rights transactions.

Core capabilities and transaction flow

After registering, creators can upload project assets such as storyboards, synopses, character concepts, scripts, productions in development, trailers, pre- and post-production projects, and completed films. Creators can organize these materials into an online portfolio, improve discoverability with tags, and securely share password-protected links with potential buyers. The stated workflow is to upload a project, share it with buyers, receive feedback, and negotiate deals. The platform also emphasizes helping users find global producers and financiers, secure early-stage funding, sell international and ancillary rights, and find agents and distribution.

Pricing and fees

The page clearly states “No commissions or hidden fees,” which is attractive for film and TV project transactions, as traditional intermediaries or agents can be costly. However, the pricing page only shows several placeholder plans labeled $39.99 Monthly, with titles, descriptions, and included benefits not yet completed. As a result, it can only be inferred that the service may use a monthly subscription model; differences between plans, whether buyers are charged, and whether there is a free trial or enterprise pricing are still unclear.

Pros and cons

Its strengths are a clear positioning focused on discovery and transactions for long-form film and TV content; relatively complete coverage across the project lifecycle; and features such as buyer directory search, asset management, and secure sharing, making it suitable for creators who need to pitch projects externally. Its weaknesses are the lack of information about the transaction closure process: it does not explain contracts, copyright delivery, payment escrow, dispute resolution, or buyer verification mechanisms. Payment methods are also not disclosed. For high-value content transactions, these omissions may affect trust and decision-making.

Who it is for and access from China

It is better suited to independent producers, screenwriters, directors, film and TV startup teams, and content owners looking for international buyers, financing, or distribution. It may also be useful for brands or streaming platforms looking to discover original projects. The text does not mention access from mainland China, Chinese-language support, or local payment options, so these remain unknown. For teams based in China, it may be worth comparing it with platforms such as Stage 32, Coverfly, InkTip, FilmFreeway, and Cinando.